How to make a song: Sarah style... Part II

Here's an updated version of my song. Still working title: Mind Games. Not really sure what to call it, actually.

Anyway, who cares about that part. Here's the part that I think is exciting...

I recorded all the guitar parts as electric now, so it sounds more rock. I also programmed the drums properly, which actually took a few hours to do. When I say a few hours I do include coffee breaks in that. So real time probably about an hour. Whatever. I added a bit more synth to make it sound like a siren before the synth break/bridge.

And. I added some nice "Oooh Oooh"s to the track as my backing vocals. Which I recorded properly and they're keepers. I use a Rode NT-2A which I set to cardioid pattern with the roll-off switch set to 80. That's because the room isn't soundproofed and the road outside is noisy. Works really well on those settings for me. I also use a pop shield but I don't have a shock-mount for the mic. It's just on the arm it comes with.

Having trouble trying to create a lead guitar part for the key change part before the last chorus. Everything I try sounds cool when I just play along but when I record it, it seems to clash like red wine and milk.

Blah blah finished. Here's the track:

Mind Games by phoebeashmore

How to make a song: Sarah style...

Okay, I'm going to do something relatively useful with this blog. I'm going to use it to demonstrate how I make a song. But I'm going to have to start with a semi constructed song otherwise it would be incredibly boring and you'd stop reading after about 4 seconds. Which most people will still do anyway.

The song I am working on has a working title of "Mind Games" but has been called several other names in the past. It's a song that is nearly 5 years in the making and started off as a spoof of The Veronicas. Here's that spoof:

It's pretty bad, hey? But it actually has a really good pop foundation, which I have used in the new version. What I started with was the drums, because obviously I already had the chord structure from "Key Change". And that song was written while very drunk, on an out of tune Behringer guitar made of cardboard. The beats were made in Fruity Loops and so was the synth.

For this new version I have thrown together a basic beat in Reason using Redrum. When I go back and edit drums I will probably play them in using my Dr Rhythm 606 as a controller. Makes them sound more live and can quantise them later if they're slightly off beat. I also did a rough bass line as a guide, which has been replaced by real bass in this version I'll demo below. So, using the beats and the guide bass I did a whole pile of acoustic guitar parts. I do acoustic guitar because if everything sounds good on acoustic, it will usually sound pretty epic on an electric guitar. Sometimes I make the lead parts into piano or synth or whatever instead of keeping them as guitars. I just noodle about for a few takes and keep the bits that I like and delete the bits that are stupid or don't fit.

Finally, I do a rough guide vocal. Now, these are generally 99% in tune, but I am naughty and I don't bother to warm up and I always do them in one take. Warts and all for demo vox. This song is placed within the centre of my range so it's pretty easy to sing and doesn't sound out of tune that much. Most people can't tell when it is anyway.

So that's where I'm at now. I've done my rough vocal and a quick backing part for the middle 8, just to remember what I want it to sound like.

Here's my first demo:

I'll update this in about a week or so. However long it takes me to record an electric guitar for the rhythm part. This is a song I'm actually going to work on properly, I usually just stop at the demo phase, which is what I just posted.

Peace. xx

Cracks in the Pavement

This is a new version of another old song. I rarely write new stuff these days, still trying to find my creativity. Have a weird feeling that it might be packed in a box somewhere, or run away with the man in the moon. If you see it, send it back.

Anyway.

I found a really crappy version of this during a long boring hard-drive clean up. Which made it totally worth it, by the way. I never wrote the verses for it; or if I have written verses for it, I did not sing them and have long since lost the paper they were written on. Or someone threw them away. More likely. Because I like to leave things everywhere... (This is a note for the ladies. Do not date me, for I am messy and I do not like to be told to tidy up)

So this is a one take demo. Meaning. Everything I recorded I did in one take to see how it sounded. I did, however, program the drums properly. Because drums are super awesomely fantastic and they also change the whole mood of the song. That's how awesome they are. Drummers are Gods/Goddesses. I hate drummer jokes. Bass player jokes are another matter...

Again, strangely, blogger doesn't allow audio files so it's shoved in a lo-fi 4:3 ratio (horridhorridhorrid) video shell. With really bad audio compression. Sorry.

Enjoy. Or not. That's your prerogative and you'll have to work through it. Something. END.

This is Goodbye Video

I thought I would link the video I just mentioned in my previous blog. It's (obviously) called This is Goodbye and I filmed it on a Kodak zX1 mini camcorder on a day out in Brisbane. I was waiting to go to a meeting about the Cine Sparks festival so used the opportunity to play with it a little. There are no options for anything other than a point and shoot style of filming, but that's what you get when you want convenience as opposed to a huge bag of great video gear!

I'd been playing about with This is Goodbye in Logic to just learn more of the advanced tools in it, as I'd already recorded this song for an EP years ago (and was never truly happy with it as I didn't have any production input- just sat and played guitar and sang) and could have picked another song to record, but it felt right to pick this one. Pretty happy with how the new demo turned out. I'm changing the vocal lines slightly and have come up with some fantastic harmonies (well I think they're fantastic, I suppose it's debatable) to put in the last choruses.

Anyway. This is the video. I used a really basic colour matte with an opacity of about 15% to add in a great orangey yellow tinge to it, giving it an almost nostalgic look.

Burn Like Water

Hi. I haven't blogged in a while for a few reasons. Mostly because no one bothered to read it and those that did were my friends who heard it in person anyway. I've also renewed my obsession with audio and although I've vastly tweaked my Burn Like Water vocals and guitars, they have not changed in the video version. I'd like to redo the video so that it is a little more exciting and a lot more "live" instead of done on green screen. Finally, I've been busy storing up multiple folders worth of rejection emails from employers who are very happy to point out that they want experience but whose companies do not bother to offer work experience or internships. This nonsense has got to stop. But anyway, that's a diatribe for another blog.

I uploaded the final version on to YouTube a while ago, but never got around to actually linking a blog to it. So I'll do that now.

Annoyingly it keeps the tag on it, but you can see it on YouTube without the tags if you search Phoebe Ashmore. You can also see my other video, This is Goodbye, that I made in one day on a trip to Brisbane. It was filmed exclusively on a blog type mini camcorder- the Kodak zX1. I'm ok with how this whole thing turned out. It taught me valuable lessons regarding how to handle myself when the project falls to bits. Let's just say crying DOES help, it's almost cathartic in a way and lets you let go of the emotions you've built up from frustrations. It also lets you move on with the project. So don't ever deny someone having a bit of a teary about their work. Especially if it's such a personal piece, like mine was. That song is about a really hard break up for me and although I wished I hadn't used it many times over the course of the project, I'm glad I did because it helped me get over the break up in a twisted kind of way.

Production Diary Part 4.1

I just wanted to upload the very rough edit of the video clip I've been working on. All it is, is the cuts of the footage I am using. You can still see the green background etc. Some of the cuts are slightly out of time with the beat because of lag from the hard-drive. This has been fixed in the final version.

Enjoy!

Production Diary Part 4

Well, today has been extremely productive for me. I decided to skip learning Apple's Motion for now, as it is just too close to the assignment due date for more hiccups. What I did instead, was to focus on getting a pretty good chroma key out of Final Cut Pro, using the edit suites at TAFE with the proper broadcast monitor and also a big 42" Samsung LED TV to really be able to see how it will display as a final product.

I must say, I have been fairly negative about this project, because nothing has gone right for me in the making of this film clip- but I am really pleased with myself and my nearly finished product! Anything that looked a bit yucky after I keyed it, I just added a squillion FX (disclaimer- you can't actually use a squillion fx as there are not that many in FCP) to so you couldn't tell the green screen was still partly there. Plus I have a really good grasp on the inbuilt Chroma keyer in Final Cut Pro, which means I don't really need to go and spend money on a 3rd party suite for this, but it would still be beneficial eventually. Perhaps when I get a proper video capable MacPro with the Final Cut Suite and stuff...

Yes, I most certainly do take endorsements. :)

Anyway, I think everyone will be happy with the final film clip when it's done. I really only have to work out how to keyframe in some background colour changes and also do some opacity changes for a couple of nice little effects I have going. Shouldn't take me all day, and then I shall be done with an entire day to spare in case something goes wrong. But I'm hoping nothing else will go wrong...